Wednesday, May 6, 2020

Pans Labyrinth Analysis - 1012 Words

Visual Cues, Harassed Symbolism and the Grim Fantasy Unlike other blissfully enchanted film genres, this evocative fairytale becomes a surreal escape into the work of Guillermo Del Toro. This chilling story confines make believe verses reality through the eyes of a young girl. Two worlds are represented within Pan’s Labyrinth, a cold hard fascist regime in Spain, and a captivating fantasyland both conveyed through visual story telling. The striking surrealism of the fantasy world becomes reflections in reality, providing small visual cues that increase as the story unfolds, unveiling a grim interaction between Ophelia and the new world she has encountered. The style becomes the narrative within the film, and the use of mise-en-scene†¦show more content†¦These colors suggest a belonging for Ophelia, a place where she is wanted back. This feeling never goes away for Ofelia, she engages in different levels to get a chance at her new life in the fantasy world. Becoming homesick for a place she has never been or remembers. The clothing plays a role in sustaining the mise-en-scene in this film. Ofelia is dressed in drab clothing along with her mother. Fabricating the lifestyle from which they came from, and a disparity that is latched onto them when being brought to this new home. They instantly become the outsiders from the beginning, largely recognized during the panning shot of the camp while Ofelia becomes more intrigued by the fairies return. Tight, uniformed men lined up in a row contrasted against a young curious, dowdy girl. The style of clothing not only distinguishes the relationship between the newcomers, Ofelia and her Mother, to the military camp, but also positions an extra connection between Ofelia and Mercedes. As Mercedes arrives to explain the Labyrinth to Ofelia, her clothes are ordinary and dull much like that of Ofelia. The dissimilar impression that Mercedes has from the camp appeals to Ofelia, and a relationship is bonded. The clothing becomes a staple into the closeness that the se two characters will later share. This relationship is not only choice of style, rather the desire for an escape. WhenShow MoreRelatedAnalysis Of The Cyclops And Pan s Labyrinth 1712 Words   |  7 Pages It seems fitting that analysis of The Cyclops would be done alongside Pan’s Labyrinth given the satyric nature of the former and the allusions to the greek god Pan of the latter. However, while the monstrous Pan (or, the Faun) may be represented as such in the film, the purpose for his inclusion is largely different from the purpose for the inclusion of Polyphemus in Euripides play. Modern storytellers having recognized that monstrosity may exist in any number of forms helps to develop a basisRead MoreAnalysis Of Guillermo Del Toro s Pans Labyrinth1764 Words   |  8 PagesIn Guillermo del Toro’s Pans Labyrinth, Ofelia struggles to find her roots back into the world where she is a legendary princess. She explores a labyrinth in which she meets a Faun, Pan, who t ells her she must complete three dangerous tasks to claim immortally. Through these dangerous tasks, del Toro clearly depicts the theme of rebellion. To further enhance the theme of rebellion, del Toro uses many elements of mise-en-scene. In scenes where Ofelia and other antagonists rebel, the props, lightingRead MoreAnalysis Of Pan s Labyrinth By Guillermo Del Toro Essay1846 Words   |  8 PagesPan’s Labyrinth set in 1940s deals with the end of the Spanish civil war and Franco’s fascist Spain. 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